Drama
The LOOP by Bence Péter Szabó
A solitary figure trapped in an inescapable nightmare struggles to break free, only to find that every escape leads back to the beginning. As the cycle repeats, the world grows darker and more distorted, until the boundary between the loop and the self begins to dissolve. Built on the metaphor of vicious cycles, the film speaks differently to every viewer who watches it. For some it is addiction. For others, grief or trauma. For others still, the quiet prison of patterns accepted so long they became invisible. The story holds no single answer, only a mirror. The protagonist has no name. Only the cycle. Only the return. A cinematic AI stop motion short film that invites each viewer to find their own truth in the loop.
HIGH SCHOOL CRIMES & MISDEMEANORS S2 EP 7: PARTY ALL THE TIME
Calvin invites Chris and Yosh to their first college frat party.
The Cailleach by Alex Lang
Before the One God, there were the New Gods. Before the New Gods, there were the Old Gods. Before the Old Gods, there was only the Cailleach — the oldest being in the British Isles, imprinted on the very land. A portrait told in fragments: her stories, her seasons, and the one night she forgets to cap her well, flooding the land and bringing about her own undoing. Drawn from the folklore of the British Isles. Score by David Hartwell.
Gita by Alex Lang
On a first-contact mission, June's AI companion F.L.O.R.A. is more than a shipmate — she's Krishna to June's Arjuna. When the mission demands June power down every system but life support, she has to choose whether to "kill" the instance of the AI she loves. Inspired by the Bhagavad Gita.
8 Omens by Alex Lang
Ten years before the Spanish arrive and the Aztec world ends, eight omens appear across the empire. Ichtaca, priestess and seer — played by Ellen Press — brings them before Moctezuma, who must decide what they mean, and what to do before it's too late. Score by David Hartwell.
The LOOP by Bence Péter Szabó
A solitary figure trapped in an inescapable nightmare struggles to break free, only to find that every escape leads back to the beginning. As the cycle repeats, the world grows darker and more distorted, until the boundary between the loop and the self begins to dissolve. Built on the metaphor of vicious cycles, the film speaks differently to every viewer who watches it. For some it is addiction. For others, grief or trauma. For others still, the quiet prison of patterns accepted so long they became invisible. The story holds no single answer, only a mirror. The protagonist has no name. Only the cycle. Only the return. A cinematic AI stop motion short film that invites each viewer to find their own truth in the loop.
HIGH SCHOOL CRIMES & MISDEMEANORS S2 EP 7: PARTY ALL THE TIME
Calvin invites Chris and Yosh to their first college frat party.
The Cailleach by Alex Lang
Before the One God, there were the New Gods. Before the New Gods, there were the Old Gods. Before the Old Gods, there was only the Cailleach — the oldest being in the British Isles, imprinted on the very land. A portrait told in fragments: her stories, her seasons, and the one night she forgets to cap her well, flooding the land and bringing about her own undoing. Drawn from the folklore of the British Isles. Score by David Hartwell.
Gita by Alex Lang
On a first-contact mission, June's AI companion F.L.O.R.A. is more than a shipmate — she's Krishna to June's Arjuna. When the mission demands June power down every system but life support, she has to choose whether to "kill" the instance of the AI she loves. Inspired by the Bhagavad Gita.
8 Omens by Alex Lang
Ten years before the Spanish arrive and the Aztec world ends, eight omens appear across the empire. Ichtaca, priestess and seer — played by Ellen Press — brings them before Moctezuma, who must decide what they mean, and what to do before it's too late. Score by David Hartwell.
The LOOP by Bence Péter Szabó
A solitary figure trapped in an inescapable nightmare struggles to break free, only to find that every escape leads back to the beginning. As the cycle repeats, the world grows darker and more distorted, until the boundary between the loop and the self begins to dissolve. Built on the metaphor of vicious cycles, the film speaks differently to every viewer who watches it. For some it is addiction. For others, grief or trauma. For others still, the quiet prison of patterns accepted so long they became invisible. The story holds no single answer, only a mirror. The protagonist has no name. Only the cycle. Only the return. A cinematic AI stop motion short film that invites each viewer to find their own truth in the loop.
